Monday, February 27, 2012

Reading Rainbow

On last Monday’s Colbert Report, the author Ann Patchett explained the incentive behind opening a bookstore in Nashville, supposedly filling a local demand that’s been otherwise drained by arbitrary, nebulous corporate decisions. I have some problems with this woman’s professed mission. For one thing, the “larger issues” contention doesn’t follow her claim that one of the huge bookstores that formerly existed was independent. She says that the other was a Borders, which has gone completely bankrupt and no longer exists anywhere. So it seems misleading when she claims that both of the businesses were profitable “every month they were open.” But it’s also off-putting that she would hype her own venture in such a mercenary way:



Colbert’s Reaganite character challenges her by asserting that “the market had spoken” but she is convinced, in that lofty, ethereal way self-righteous aesthetes get, of the purity of her mission: “I want some place to take my kids for story hour on Saturday.” The argument is that the techno-capitalist cycle has reached its functional zenith, and now people just need something, in an extra-commercial sense, with soul. The community culture wants to exist, in other words, outside of the terms of the consumer culture. This is all very good and sensible… or, it would be, if lending libraries didn’t exist. In high school we’re taught that the proliferation of modern public libraries in America occurred as a byproduct of steel magnate Andrew Carnegie’s particular compulsion. (He gave away nearly his entire self-made fortune toward library construction and similar philanthropy.) They’re in almost every town in the country; they’re filled with hardworking, passionate librarians who do everything they can to establish such programs and promote reading and book circulation to their respective communities. In the late 19th century, inter-library loan—made even more sophisticated by complex computer systems a century later—was put in place to further the availability of published materials, for free, to any person who requested them.

I’m unconvinced that the financial or systematic obstructions libraries may face in the modern era would in any significant way be remedied by a re-popularization of independent book stores. How could they be? A store is a place whose purpose is to further the capitalist accumulation of wealth in exchange for goods. The structured advocacy of reading it might adopt is ultimately an instrument to that mission and it could never theoretically eclipse that of public libraries, however bureaucratically compromised they may become. So isn’t what bookstore activists like Pratchett promote as a noble extension of intellectual preservation really little more than an opportunist appeal to the liberal inclinations of the socially limited bourgeois?

I don’t happen to have an affinity for bookstores. I’ve never gotten caught up in some intimate conference about this or that author or topic, or even been directed toward something I might like with warm deference. I go to a store when I want to buy something or just kill time browsing; I pick out whatever I want and then provide the required amount of money, somehow without infusing some romance of character into the proceedings. Is there something wrong with me?  I feel that any time somebody rhapsodizes about being a customer or employee at his or her own little hometown shop it’s with a kind of detached elitism, as though admitting the materialist truth of free-market business would evaporate the personalized specialness of their experience. Pratchett’s big argument of superiority over internet shopping— with Amazon the literal Philistine Goliath to her David—is the guaranteed presence of “smart people,” as though a bookstore were a kind of utopian salon catered to your individualist needs while the anonymous online reviews remain a gallery of belching illiterates. We know what she means, but it’s still an asshole thing to say, her attitude snide and self-aggrandizing in the worst way. When she warns against favoring virtual experiences over tactile ones with a patronizing (and idiotic) premonition—“if you never ever talk to people and you meet all of your needs on the internet, you wake up one day and you’re the Unabomber”—it’s met with a laugh, though one of accord or incredulity it’s hard to tell. (Colbert, never at a loss for repartee, is stunned speechless for a moment.) Much as I admire her balls for touting her business choice by basically saying consumers are ignorant little shits, it doesn’t do wonders for her thesis. The truth about modern book culture is that, as a kind of survival tactic in the boorish Internet age, it’s invariably encountered as a prejudiced, exclusionary thing: I remember reading a piece in a local cultural review a decade ago featuring the woeful tale of a literate youth who got a job at Borders expecting a bohemian dream only to find, to his horror, uninformed customers asking for music and books other than the specific, classy ones he liked. The thought! What a travesty that this Socratic Eden of cultivated taste turned out to just be a place that sold goods for legal tender. If only he’d worked at a nice little corner shop, away from the purview of such undesirables.

Hey, look at that.

In recent years, the image of literacy presented via the mouthpiece of celebrity has, troublingly but understandably, confused just having things with being into them. The point of books, which is to become interested in what they contain, is conflated with the superficial aesthetics of lifestyle. On Cribs, Moby laments the lack of bookshelves exhibited on the MTV program and then shows the camera to his own stack in his ugly, sterile loft, filled with schmancy gilded editions of old faves like The Hobbit, which, you know, I’m sure he reads a chapter of in between every bleep-bloop remix and vegan recipe composition.  A few months ago I saw a photo floating around my Facebook feed of John Waters in his house, surrounded by stacks and stacks of books. The caption: “We need to make books cool again. If you go home with somebody and they don’t have books, don’t fuck them.”

Now, there are many reasons why a woman I bring home to my door-less, clothes-strewn bedroom shouldn’t fuck me. None of them is that I don’t have packed shelves of books ostentatiously arrayed about the edges of the room. John Waters, you’ll recall, is the filmmaker who once directed an actor to flex his exposed anus at the camera, so of course I can appreciate his discerning attitude vis-à-vis taste, but I don’t share it. If somebody doesn’t have books, it doesn’t mean anything other than that they don’t buy books. Come to think of it, with the mainstream marketing of futurey tablets and e-readers that’s come to pass in the last couple of years, it doesn’t mean that, either—somebody could have a thousand books in their house invisible to you as they sit in a microchip tucked under a dust-cover in the corner. In any case, having books says nothing in particular about a human being, except in a superficial sense—and hey, we’re all superficial in some way about the people we want to sleep with. So what the hell does he really mean?

I read. Not a ton, probably not enough, but I do, and this is how: I go to the library and pick out one or two books. Then I read them, return them, and borrow different books. I have a small pile of texts in my possession, gifts and college remnants and the occasional impulse purchase, but they sit apart from the “active” stable in my domicile and occupy no portion of my literary life. Apart from books that you know you’ll want to re-read or refer to continually as your life progresses, owning books serves no purpose other than to ornament your abode, consciously illustrating a lifestyle that may or may not be for real. What Waters really means when he says that books—physical books, not “reading”—should be cool is that people should look cool by adorning their lives with them as fetish objects. His aim might be to make people more interesting, but it’s not the same thing. I’m not saying there’s not correlation between owning books and wanting to read, but it’s not the same goddamn thing. One of my current roommates is the biggest reader I’ve ever met. I’ve seen his bedroom in his parents’ house, the walls literally covered floor to ceiling with thousands of tomes collected over the years at sales and musty shops all over the land. He reads and reads day in and out, for school and his own satisfaction, but it’s not neurologically possible for him to have read all those books he has in his life thus far. He just likes them; they comfort him. That’s great. But it’s not the same thing.

I happen to share a fragment of that fetish, and when combined with familiarity of habit I like reading physical books very much. But if e-readers or brain implants or whatever new tech appendage enables people to read literature more expediently and makes them excited to do so, how could there be anything wrong with that? If you disagree, isn’t it more that something is wrong with you? Aren’t you not so much about reading as you are anxious about the relevancy of your image—or, on the matter of bookstore revival, the commercial status quo? Which, you know, I get it. I mean, with the abundance of leisure distractions growing exponentially by the minute, the publishing industry isn’t what it used to be. If it dies, then new, mass-available books die. And I don’t have any illusions that I’m helping it out too much by getting all my reading from the library. Nor, for that matter, with purchases: the best bookstore in my town is a used vendor, and unless I am not privy to some vast, extra-capitalist network of trade, I believe used book sales do absolutely nothing for the modern book industry, and only exist to further their own survival. But, hey, I just graduated from a liberal arts school, so I barely have money for food right now. When I’ve become rich by blogging about frivolous shit that annoys me, I’ll pick up a new hardcover every week, I promise. Until then, don’t assume you know what I’m about just because I don’t have tree pulp bursting from every orifice. I’ll never be as cool as John Waters, but not because I don’t sleep on a bed of bound paper.

Edit: Please take a look at the below comments from my good friends Jake and Sylvia, who add informed qualifications and perspective to my truculent ramblings.

5 comments:

  1. i liked reading this a lot, thanks for posting it. definitely had me laughing at points.

    i think some bookstores can provide some sense of community/'intellectual preservation' outside of the library by being able to provide materials that the libraries don't have, either because they can't be institutionally supported or they cost too much. Examples include english only bookstores in germany, the many philosophy books at st marks bookshop in NYC, small press poetry books at flying object in northampton, etc. My favorite example is Strand INC in NYC. They have an incredible collection of art & photography books. These books are too expensive for me, and they are also too expensive for most libraries, but as they pass from the hands of one rich collector to another, they sit on the shelves in strand for a few days to a few months. While they sit on the shelves, they are free for people like me to browse through and enjoy...Sure some of the books that pass through Strand's collection are in specialized libraries like the schwarzman building in ny or the Library of Congress, but those have reduced hours, require registration, you have to fill out call slips and wait an hour to receive reading material, it might be checked out, etc etc....so in that way i think that sometimes used bookstores provide access to some sort of material that is valuable that is otherwise inaccesible when used book selling moves online.

    second argument in favor of bookshops is that many independent bookstores financially support small publishing houses. they make those books available to a wider (& maybe lazier audience) that wouldn't buy the book online, and wouldn't get it from the library perhaps, but would browse in a store and decide to buy it. Even if that person won't read the book, having the independent bookstore and the 'fetish book object' consumer lowers the cost of the book, making other copies of the book more affordable for libraries. It also provides profit for the publishing houses themselves, so that more books and a wider variety of writing can be published. this seems good.

    also, i would argue that having a personal collection of books can be valuable besides to be re-read, referenced, and used as ornaments... that is that they can be shared... any english teacher can tell little jake to read this book or that, but it seems he only read a book for the first time in years because i owned a copy of the story of the eye and sortof forced him to read it... Also, I like tao lin's writing and owned almost all of his books, some books I had multiple copies of (because he mailed them too me, not that i bought them, but thats a digression), but I think I only have 2 or 3 now because I gave them all out to friends who wouldn't have access to them otherwise.

    When it comes down to it, I'd rather 'borrow' a book from barnes & noble than borrow a book from the library, because the library copy will still be available to other people, and the copy that i now have will be available to me and other people who i will give the book too after i'm done reading it.

    Anyways sorry to write such a long response and hijack your blog... i drank like 3 sodas so i am really amped up.. i may be making certain arguments but i think in general i agree with you... i especially feel strongly about the under-utilization of inter-library loan. If there is a specialized & rarified collection, it may take 2 weeks through inter-library loan to get, but by borrowing a book that way, you are supporting that collection and securing funding for it (as much as funding can be secured, in these days, for any collection of any library)...

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    Replies
    1. Hey Jake,
      My intention wasn't to deny the value that some people find in their various cultural networks. The counter-examples that you suggest are valid but by their very nature they're fringe elements of a market that has either naturally evaporated or evolved. I mean, the point of high-class art book vendors is not to let us plebs get our grubby little mitts on their wares, it's ultimately just a damn business, so until digitization becomes absolute or the socialist revolution happens, the benefits of their existence for democratic cultural literacy is kind of a toss-up.

      I'm all in favor of small publishing, but again that's kind of a stop-gap as the economic prospects and market potential grow thinner. i don't know the numbers, but i imagine the sales of indie and academic texts are largely if not mostly online orders these days, and those numbers will only go up as e-reader tech becomes more ingrained. and to be honest, it's a counter-intuitive kind of thing, because a huge chain store is more likely to carry even an independent title than a little one-room shop; i've never found some indie graphic novel or biographical book that i've been interested in at a local store, only at some four story mega-B&N. And who but, you know, the 1% (oooh) would just impulse buy a ten-dollar, 100 page little thing at some quaint village shop? Isn't the best that an indie publisher could hope for in these black days is to get swallowed up by a bigger house, like Continuum by Bloomsbury last year, and promoted more widely while left to their own editorial devices?

      In any case, I think I rather am more interested in the idea of trying to outrun extinction, and the desperate ends of logic that people are willing to reach at to justify their obsessions, compounded by this extreme defensiveness at the suggestion that they might be growing irrelevant in some way. I think the truth is that there is a middle-aged sensibility that is not willing to accept its obsolescence (and why would it? that sucks) and so it downplays the overwhelming influence of society's techno-mutation.

      I don't mean to imply that owning a lot of books, even if you don't read them all the time, makes you some poser or has no value. I just think that it's weird to imply the opposite--that lacking some specific, calculated aesthetic means that you are some boring slob. (I mean, I'm only a boring slob in that i chug beer and think about tits every day, and hopefully this blog will explicate that thoroughly.) It's cool to have a lot of things that you can share with your friends and students in your rich, sexy, cosmopolitan life. Go for it. But it is characteristic of a socio-economic circle that is more specific and exclusive than we tend to realize, and one that is naturally fixated upon its own reflection. My father's family was one of those that obsessed in such a way; we have less and less to talk about as I go my own way.

      Sorry to write such a long reply and be inarticulate... i drank like 3 beers so my senses are dulled. I should have shown this piece to Sylv before i posted it, huh?

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  2. Hell yeah you should have asked me! It's not like this is what I study or anything... : )
    I think there are several things going on in your piece here, which I enjoyed very much by the way, as well as Jake's response.
    One is that the distinction between library and mega bookstore is not so clear cut.
    The reality is that many libraries DO pattern themselves after bookstores, coffeeshop model and all. Libraries have done absolutely nothing to extract themselves from the "techno-capitalist cycle" you refer to and to some degree I can't blame them. Government funding has been so abysmal and is strucutred in such a way that libraries are forced to prove their relevance and usage against a market-based rubric. I work in libraries because I believe in their potential and I think there is still a need for a place with these free services. (I recognize that Jake's idea of free complicates this notion but I guess I'm talking about legal services.) I think the relationship between bookstores and libraries should be complementary, rather than competitive but I recognize that few people "in the field" share that belief.
    In library school we are told to treat patrons "as customers." To mimic corporate management styles. I'm not saying that this is a wholly bad practice. I recognize that this model of commercial interaction is expected by most if not all patrons. But the conflation of libraries and bookstores has made it difficult to identify the unique services that libraries do provide. I'm talking reference, information literacy, community programming, and so much more. I also think libraries in general have done a shitty job emphasizing those services, and thus we are left with the reductive signifier of the book to represent all that libraries are and do.
    Jake raises a good point about bookstores providing materials or serving communities that the library cannot serve. I'm thinking specifically about radical and/or controversial materials that libraries are unable or unwilling to carry. And again, in an ideal world these could enjoy a complementary, rather than oppositional relationship to the library.
    I agree with you about the elitism of certain small independent bookstores, Ezra, and I'm always inclined to roll my eyes at liberal narratives of consumption in the name of liberation. In many ways I find the environment of the mega-bookstore more welcoming to certain populations that traditionally patronize the libraries. You see a lot of unhoused people in Barnes and Noble, because it's big and has comfortable chairs and bathrooms, just as you see many unhoused people in public libraries. You can get free wi-fi there, just as you can in libraries. (cont...)

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  3. ....To quote one of my favorite movies of all time "Books are awfully decorative, don't you think?" (Auntie Mame, 1958) The house I grew up in is covered in books. There is literally a bookshelf on every wall and over every doorway except the bathroom. I gain a sense of security and comfort by surrounding myself with books...y'all remember my carrel towards the end of Div III. That said, I actually don't own that many books of my own. (My obsessive collector tendencies manifest themselves in my glorious nail polish collection...so make of that what you will about my "specific, calculated aesthetic " ; ) )
    Because I oscillate between the worlds of art and libraries, I'm never satisfied on this issue. I think art people tend to fethisize and romanticize the value of the physical book, and I think librarians tend to not think about it enough, and to hop on whatever technology bandwagon rolls around, without considering its actual usability for patrons. I think you're right to question relevance and to link it to class, Ezra. It has to be done in library contexts as well as in the "collector" sense you bring up. It's frustrating to hear my future colleagues talking about using e-readers and other digital technology as the only way to stay "relevant" with patrons...what about people who do not own or are otherwise unable to access these technologies? Books are still super relevant to a lot of people, not just as objects.
    I would love to talk about this with any and all of you at any time! If you would like to see more confused ramblings I can refer you to my highly flawed Div III, which although circular in its logic and sweeping in its generalizations, has a killer bibliography. But anyways, no joke this is my third iced coffee and I miss y'all so I'm WIRED as hell. A special thank you to Will for alerting me to this conversation which I somehow missed when you first published it. I'm sorry, Ezra, I've failed you in my capacity as number one fangirl.
    <3,
    Sylvia

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